{"id":20604,"date":"2024-08-30T08:07:11","date_gmt":"2024-08-30T06:07:11","guid":{"rendered":"https:\/\/www.lossuperpoderesdelarte.com\/interview-with-vittoria-drago\/"},"modified":"2024-08-30T08:07:17","modified_gmt":"2024-08-30T06:07:17","slug":"interview-with-vittoria-drago","status":"publish","type":"post","link":"https:\/\/www.lossuperpoderesdelarte.com\/en\/interview-with-vittoria-drago\/","title":{"rendered":"Interview with Vittoria Drago"},"content":{"rendered":" \n
\n

Vittoria Drago<\/a> is Italian, born in Bergamo.\nShe currently lives in Barcelona.\nHere she carries out her artistic work in a cozy workshop in the Gracia neighborhood.\nAnd this is also where she has discovered her great connection with children through art.\nFor more than a year she has been teaching extracurricular contemporary art classes at PLOM Gallery<\/a>, where she is, above all, happy.\nShe tells us how she started working with children and why art can help them in all areas of life. <\/strong><\/p> \n<\/blockquote>

<\/p> \n

\"Obra\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 El taller de Vittoria es tan inspirador como ella misma.<\/h5> \n

\u00bfQu\u00e9 quer\u00edas ser de peque\u00f1a?<\/strong><\/h4> \n

Architect!\nLike my father, my brother, my grandfather and my great-grandfather.\nI come from a family of architects.\nWhen I was little I always said I wanted to “draw houses”.\nBut when it came time to choose a major, the art teacher told me I was very good at fine arts.\nI was lucky I listened to him!\nIt was the best advice I ever got in my life. <\/p> \n

\"Vittoria<\/figure> \n
\u00a1Somos afortunados de\u00a0que Vittoria siguiera el consejo de su profesor de pl\u00e1stica!<\/figure> \n

\u00bfC\u00f3mo reaccionaron tus padres?<\/strong><\/h4> \n

They wanted me to make a trade, so I enrolled in a painting restoration school.\nI dedicated myself to restoring pieces and frescoes.\nI combined it with making portraits on commission.\nI had a very good technique but I wanted to develop my creative side. <\/p> \n

\u00bfCu\u00e1ndo empezaste a crear tu estilo propio?<\/strong><\/h4> \n

I have always been passionate about handmade graphics.\nIn the Faculty of Fine Arts I had a professor who made me fall in love with printmaking techniques, he went out of the classic role that all the other subjects had.\nHe made us learn the techniques and made us experiment being free to make mistakes.\nHe always told us: “the only limit is your creativity”.\nI saw that printmaking<\/em> was my path…. <\/p> \n

\"Vittoria \n
How nice it is to know that you have a way…<\/figcaption> \n<\/figure> \n

Qu\u00e9 t\u00e9cnicas usas en la realizaci\u00f3n de tus piezas?<\/strong><\/h4> \n

All my work is printed.<\/strong> I print on canvas and also paint on it.\nSometimes I mix painting, printmaking and collage. <\/p> \n

Se puede observar cierta influencia de la escuela Bauhaus en el estilo de Vittoria Drago.<\/strong><\/h4> \n

Yes, I have always loved the avant-garde vision and practice of the Bauhaus.\nI like to merge fine arts, craftsmanship and technology.\nI am a big fan of the three primary colors and the three basic geometric shapes.\nI am currently very interested in geometry. <\/p> \n

No hay medias tintas en tu obra. Tus piezas son o muy coloridas, o en blanco y negro. \u00bfSe debe al estado de \u00e1nimo de cada momento?<\/strong><\/h4> \n

All people have a polarity that coexists within them.\nI try to understand myself through my own work.<\/strong> It is like a form of meditation.\nWithin me there is storm and peace; realism and abstraction; nature and geometry. <\/p> \n

\"Artistic<\/figure> \n

How did you get to know Martha Zimmermann and her PLOM Gallery project?<\/strong><\/p> \n

We met through social media!\nWe started following each other on Instagram and commenting on our photos.\nWe met for the first time two years ago, at Movimiento en Blanco<\/a>, my first solo exhibition in Barcelona. <\/p> \n

When did you start collaborating?<\/strong><\/p> \n

My first collaboration with PLOM Gallery <\/a>was at the SWAB (Barcelona Contemporary Art Fair).\nWe did a workshop for children for 3 days. I felt a lot of connection with the children.<\/strong> Previously I had done children’s workshops in Italy, for one or two hours.\nBut in the SWAB<\/a> we spent 3 very intense days in which I was very happy. <\/p> \n

\"Vittoria\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Vittoria con dos participantes de nuestra m\u00e1s reciente colaboraci\u00f3n, en el TheCreativeFest ’19.<\/h5> \n

Ciertamente, al verte dar las clases uno observa la enorme conexi\u00f3n que tienes con los ni\u00f1os\u2026<\/strong><\/h4> \n

I believe that all artists have a child inside.\nIn my case, I have a lot of empathy with them.\nI always get very excited. <\/p> \n

Hace ya un a\u00f1o que empezaste a dirigir las extraescolares de arte contempor\u00e1neo de PLOM Gallery. \u00bfCu\u00e1l ha sido la clase que m\u00e1s han disfrutado?<\/strong><\/h4> \n

I try to do very varied classes<\/strong>.\nSome like to cut, others like to draw.\nI try to change constantly.\nIn this respect, my technical training has helped me a lot.\nBut if I had to choose, I would say that the children had a great time with the art brut, especially the older ones.\nThey also loved the work we did with Picasso.\nThey became picassini <\/em>(little Picassos) themselves.\nWe did face-painting<\/em>, photography, collage… We gave free rein to the imagination and the result was amazing. <\/p> \n

It was very exciting to mount the vernissage <\/em>at the end of the course, when they saw the result they were astonished at the work done during all these months.<\/p> \n

\"\"\u00a0 \u00a0\"\"<\/figure> \n
\"\" \u00a0\"\" \n
These are just some of the wonderful works of Vittoria’s students!<\/strong><\/figcaption> \n<\/figure> \n

\u00bfCon qu\u00e9 momento te quedar\u00edas?<\/strong><\/h4> \n

I feel very fulfilled when I get home, go through the pictures of what we have done and see how much fun they have had.\nIt gives me great satisfaction when at the end of the class one of the children comes up to me with a drawing for me; when the little ones say goodbye to me with a big hug or when I see the happy parents. <\/p> \n

\"Extraescolares\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Vittoria acompa\u00f1ando a dos alumnas en la creaci\u00f3n de este genial mural estampado.<\/h5> \n

\u00bfQu\u00e9 le dir\u00edas a unos padres cuyo hijo quiere ser artista?<\/strong><\/h4> \n

Support him!<\/strong> There is nothing worse than dedicating yourself to something that is imposed on you or that you do not like.\nIf they see that the child has qualities, they should encourage him\/her to develop them. <\/p> \n

\"\" \u00a0\"\"<\/figure> \n
\"\"<\/figure> \n

\u00bfCrees que ha habido un cambio generacional en la mentalidad de los padres?<\/strong><\/h4> \n

Yes.\nPeople are more open.\nI see young parents and I see children who can become wonderful illustrators in the future.\nI’m sure they will have no problem feeling supported. <\/p> \n

Parents are increasingly interested in their children being creative.<\/strong> Creativity is not only useful to make art pieces, it is useful in all aspects of life.\nIt helps you to be more decisive and to understand yourself better. <\/p>

\r\n
\n

“Creativity helps develop happier children”<\/em>Vittoria Drago. <\/p> <\/div>\r\n<\/div> \n

\u00bfQu\u00e9 sue\u00f1os te quedan por cumplir?<\/strong><\/h4> \n

I would love to have the opportunity to work with refugee children.\n Art can help them a lot to have a moment of happiness and escape<\/strong> from their sad reality.\nI would also like to be able to carry out a collective art action with the children, somewhere in the city.\nAnd, of course, to continue developing my projects as an artist and working with children. <\/p> \n

\"\"<\/figure> \n

Interview by Ariadna Rousaud <\/a>for PLOM Gallery<\/em><\/p> \n

Photographs: <\/em> @kimuytterhaegen<\/a><\/p> ","protected":false},"excerpt":{"rendered":"

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